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Jedes Jahr bricht eine sechsköpfige Clique junger Frauen zu abenteuerlichen Unternehmungen in der wilden Natur auf. Auf der Rückfahrt von einer Raftingtour verliert eine von ihnen bei einem grausamen Autounfall Ehemann und Kind. Ein Jahr später. The Descent – Abgrund des Grauens ist ein britischer Horror-Thriller aus dem Jahr Er entstand unter der Regie und nach einem Drehbuch von Neil. The Descent 2 – Die Jagd geht weiter ist ein britischer Horror-Thriller aus dem Jahr Er entstand unter der Regie von Jon Harris, der damit sein Debüt als. The Descent - Abgrund des Grauens. ()1h 35min Eine Extremsport-Clique, bestehend aus sechs jungen Frauen, unternimmt eine Klettertour in eine. duffyboats.se - Kaufen Sie The Descent - Abgrund des Grauens (FSK 16) günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden.
To make sense of why it ended like it did if not then,they have really screwed up a good movie.. because descent 2 was a good sequel Up Until the End.. and only. The Descent 2 – Die Jagd geht weiter ist ein britischer Horror-Thriller aus dem Jahr Er entstand unter der Regie von Jon Harris, der damit sein Debüt als. The Descent - Abgrund des Grauens ein Film von Neil Marshall mit Natalie Jackson Mendoza, Shauna Macdonald. Inhaltsangabe: Sechs Freundinnen, darunter.
RAUMSCHIFF ORION BГЈGELEISEN Es schien so, als wrde und gepflegte Andi wittmann fr Escort.
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|BIBI UND TINA 3 MГ¤DCHE GEGEN JUNGS STREAM||Zum Trailer. Natalie Jackson Mendoza. Für einen gruseligen nicole mГјller packenden Filmabend ist der Film somit nur wärmstens zu empfehlen!! Universum Film veröffentlichte in Deutschland not hans beimer stirbt remarkable Seitenverhältnis 2.|
Sceneggiatura: Neil Marshall. Fotografia: Sam McCurdy. Montaggio: Jon Harris. Musiche: David Julyan. Palinsesto di tutti i film in programmazione attualmente nei cinema, con informazioni, orari e sale.
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Film stasera in TV. He explained the difference, "The women discuss how they feel about the situation, which the soldiers in Dog Soldiers would never have done.
Craig Conway portrayed one of the film's crawlers, Scar. Exterior scenes were filmed in Scotland, and interior scenes were filmed in sets built at Pinewood Studios , near London.
The cave was built at Pinewood because filmmakers considered it too dangerous and time-consuming to shoot in an actual cave.
Set pieces were reused with care, and filmmakers sought to limit lighting to the sources the characters bring with them into the cave, such as helmet lights.
The director elaborated, "We really wanted to ramp up the tension slowly, unlike all the American horror films you see now.
They take it up to 11 in the first few minutes and then simply can't keep it up. We wanted to show all these terrible things in the cave: dark, drowning, claustrophobia.
Then, when it couldn't get any worse, make it worse. Simon Bowles designed the maze of caves for The Descent.
Reviews credited Bowles: e. Production of The Descent competed with a big-budget American film that had a similar premise, The Cave. The Descent was originally scheduled to be released in the United Kingdom by November or February , but The Cave began filming six months before its competitor.
The filmmakers of The Descent decided to release their film before The Cave , so they fast-tracked production to be completed by the end of February The Descent was released in North America with approximately one minute cut from the end.
In the American cut, Sarah escapes from the cave and sees Juno, but the film does not cut back to the cave. The August 4, issue of Entertainment Weekly reported that the ending was trimmed because American viewers did not like its "uber-hopeless finale".
Lionsgate marketing chief Tim Palen said, "It's a visceral ride, and by the time you get to the ending you're drained. In the film, the women encounter underground creatures referred to as crawlers by the production crew.
Marshall described the crawlers as cavemen who have stayed underground. The director explained, "They've evolved in this environment over thousands of years.
They've adapted perfectly to thrive in the cave. They've lost their eyesight, they have acute hearing and smell and function perfectly in the pitch black.
They're expert climbers, so they can go up any rock face and that is their world. Director Neil Marshall first chose to have a dark cave as the setting for his horror film The Descent then decided to add the element of the crawlers, describing them as "something that could get the women, something human, but not quite".
The director included mothers and children in the colony of creatures, defining his vision, "It is a colony and I thought that was far more believable than making them the classic monsters.
If they had been all male, it would have made no sense, so I wanted to create a more realistic context for them. I wanted to have this very feral, very primal species living underground, but I wanted to make them human.
I didn't want to make them aliens because humans are the scariest things. The crawlers were designed by Paul Hyett, a makeup and prosthetics creator.
Crawlers originally had pure white skin, but the look was adjusted to seem grubbier. The skin was originally phosphorescent in appearance, but the effect was too bright and reflective in the darkened set, so the adjustment was made for them to blend in shadows.
Actress Natalie Mendoza said of the effect, "When the moment came, I nearly wet my pants! I was running around afterwards, laughing in this hysterical way and trying to hide the fact that I was pretty freaked out.
Even after that scene, we never really felt comfortable with them. The crawlers reappear in The Descent Part 2 , a sequel by Jon Harris with the first film's director Neil Marshall as executive producer.
For the sequel, Hyett improved the camouflaging ability of the crawlers' skin tones to deliver better scares. According to Hyett, "Jon wanted them more viciously feral, inbred, scarred and deformed, with rows of sharklike teeth for ripping flesh.
Rene Rodriguez of The Miami Herald described the crawlers as "blind, snarling cave-dwellers, looking much like Gollum 's bigger kin".
The skull of women motif used in some advertising material is based on Philippe Halsman 's In Voluptas Mors photograph.
The film's marketing campaign in the United Kingdom was disrupted by the London bombings in July Advertisements on London's public transport system including the bus that had exploded had included posters that carried the quote, "Outright terror The distributor's marketing chief, Anna Butler, said of the new approach, "We changed tack to concentrate on the women involved all standing together and fighting back.
That seemed to chime with the prevailing mood of defiance that set in the weekend after the bombs. When it was released in July , this claustrophobic story of six women who stumble across something nasty on a caving trip got arguably the best reviews of any Brit pic this year.
The film received limited releases in other European countries. The film has received critical acclaim.
The website's critical consensus states, "Deft direction and strong performances from its all-female cast guide The Descent , a riveting, claustrophobic horror film".
Roger Ebert 's editor, Jim Emerson, reviewed the film for Ebert's column whilst Ebert was on leave due to surgery, giving it four out of four stars.
He wrote, "This is the fresh, exciting summer movie I've been wanting for months. Or for years, it seems. Manohla Dargis of The New York Times described The Descent as "one of the better horror entertainments of the last few years", calling it "indisputably and pleasurably nerve-jangling".
Dargis applauded the claustrophobic atmosphere of the film, though she perceived sexual overtones in the all-female cast with their laboured breathing and sweaty clothing.
Rodriguez also noted the attempt to add dimension to the female characters but felt that the actresses were unable to perform.
Top ten lists, : . Bloody Disgusting ranked the film third in their list of the 'Top 20 Horror Films of the Decade', with the article saying "One of the scariest films of this or any decade Ultimately, The Descent is the purest kind of horror film — ruthless, unforgiving, showing no mercy.
Lawrence Toppman of The Charlotte Observer thought a weakness of The Descent was the failure of the writer to explain the evolution of the creature, though he said, "Their clicking and howling, used for echolocation and communication, makes them more alien; this otherness gives humans permission to mutilate them without seeming too disgusting to be sympathetic.
From Wikipedia, the free encyclopedia. For the book by Jeff Long, see The Descent novel. For other similarly named films, see Descent film and Descent film.
For other uses, see Descent disambiguation. Theatrical release poster. Celador Films Northmen Productions. Main article: The Descent Part 2.
Effetti speciali che rendono crudo una tragica avventura in un horror davvero ben fatto. Le affascinanti ed inquietanti grotte sotterranee occupano la maggior parte del film, risultando superiori per sforzo registico ed efficacia [ Pellicola ben organizzata, che parte subito senza preamboli, colpi di scena e tensione claustrofobica a non finire; trama lineare e credibile fino a Non capisco proprio poi come il regista, possa aver miseramente fallito con Doomsday.
La prima parte angoscia lo spettatore con la claustrofobia, mentre nella seconda l'azione fa da padrona con crude battaglie a ritmo di picconate e denti.
Poi compare un mostro Ma che fantasia. Questo si avvicina molto ad un capolavoro, da non perdersi assolutamente!
Narra la storia di queste ragazze che decidono di andare a visitare una grotta. Secondo me' questo film e' fin troppo sopravvalutato, io lo descrivo un B movie in tutto e per tutto senza nulla togliere ai B movie alcuni di gran lunga migliori di questo De descent!!
Basta unirsi alle sei ragazze di The descent, un thriller-horror di produzione inglese come capita di trovarne pochi: da vedere aggrappati al bordo della poltrona.
Sconvolta per la perdita di marito e figlia in un incidente di strada, Sarah accetta di partecipare a una spedizione speleologica; con lei sono la guida Juno, l'appassionata [ Horror femminile.
Due, nel caso di questo film. Un tranquillo week-end di paura, sottoterra. Sei bellissime amiche inglesi appassionate di sport estremi ed emozioni forti si avventurano nel sistema di grotte dei Monti Appalachi.
Marshall rifrigge vecchi film senza l'arguzia di Olindo Guerrini quando trattava in un famoso libro l'arte di usar gli avanzi di cucina.
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