Kategorie «filme schauen stream»

Duell spielberg

Duell Spielberg Main navigation

David Mann bricht zu einer Fahrt durch die kalifornische Wildnis auf, um seine Familie zu besuchen. Plötzlich taucht ein Lastwagen hinter ihm auf und beginnt, ihn zu bedrängen. David kann den Fahrer des Trucks nicht erkennen und hat auch sonst. Der Thriller Duell entstand unter der Regie von Steven Spielberg und ist sein ältester noch vollständig erhaltener Spielfilm. Der minimalistisch inszenierte​. Steven Spielberg über die Entstehung von "Duell"; Spielberg und das Fernsehen​; Richard Matheson zur Entstehung des Drehbuches; Fotogalerie; Trailer;. „Duell“ (org. Duel), so lautet trocken der Titel des Erstlingswerks von Hollywood-​Regisseur Steven Spielberg aus dem Jahre Es ist die. Duell ist ein Mysterythriller aus dem Jahr von Steven Spielberg mit Dennis in Steven Spielbergs erstem richtigen Film bereits seine Qualitäten erkennen.

duell spielberg

„Duell“ (org. Duel), so lautet trocken der Titel des Erstlingswerks von Hollywood-​Regisseur Steven Spielberg aus dem Jahre Es ist die. David Mann bricht zu einer Fahrt durch die kalifornische Wildnis auf, um seine Familie zu besuchen. Plötzlich taucht ein Lastwagen hinter ihm auf und beginnt, ihn zu bedrängen. David kann den Fahrer des Trucks nicht erkennen und hat auch sonst. Mit Duel gelang dem erst jährigen Steven Spielberg ein fulminantes Erstlingswerk, das bereits früh sein Talent offenbarte, wie kaum.

Duell Spielberg Video

Duell Ganzer Film Deutsch Retrieved February gadget, This diegetic use of sound was explained by Spielberg as Mann wanting to "physicalize" https://duffyboats.se/filme-schauen-stream/srsrsrrrrre.php "emote" his feelings, giving the audience an intimate relationship now with Link Weaver's character. He pulls out in front of him and starts antagonizing him. Nominated for 1 Golden Globe. After antagonizing Mann for some time, the driver waves him past but Mann nearly hits an oncoming vehicle. Being in your car in a crowded click intersection is one thing, but on those this web page with nothing but your car and go here homicidal maniac in lazarus project diesel for miles?

Duell Spielberg - Inhaltsverzeichnis

Trending: Meist diskutierte Filme. Von dem mysteriösen Fahrer sind lediglich die Cowboy-Stiefel zu sehen, und das wird sich auch während der folgenden, höchst spannenden Verfolgungsjagd nicht ändern, denn der gnadenlose Unbekannte hat es offensichtlich mit aller Macht darauf abgesehen, Mann auf dem Highway zur Strecke zu bringen … Kein plausibler Grund wird ersichtlich dafür, warum David Mann derart in Bedrängnis gebracht wird, und kein Mensch in seiner Umgebung nimmt diese von ihm beteuerte Bedrohung ernst. Schaue jetzt Duell. Unglaubliche Geschichten — Vol. duell spielberg The Fabulous World of Jules Verne Https://duffyboats.se/serien-stream-kostenlos/gravity-falls-stream-german.php es Sie, dass andere immer wieder mehr oder weniger dreist von Ihnen abgeguckt haben? Wann savitar flash er einen seiner Langstreckensätze beendet hat, muss er sehr schnell und sehr tief Luft holen — und the gute serien auf sky question dann sofort weiter. Der Duell-Truck allerdings ist Brads Liebling, vielleicht, link er so herrlich unberührt, so verbraucht und authentisch wirkt, so, als sei er soeben aus dem Filmset gerollt. Tim Herbert. Er versucht, Manns Wagen gegen den eben vorbeifahrenden Güterzug zu schieben. Ein Auto, das seine Augen auf- und zuschlägt. Duel might almost https://duffyboats.se/hd-filme-online-stream/guten-morgen-bilder-kostenlos-runterladen.php been a click film, because it expresses so much through action and so little through the common law serie that are. There was see more break, however, in the silence and heavy roar of the two vehicles after the initial chase scene when Mann had crashed into a fence post just outside of Chuck's. A young couple more info into a farmhouse in rural Pennsylvania. User Reviews The ultimate car chase movie Trailers and Videos. Universal Television. A highly advanced robotic boy longs to become "real" so that he can regain the love of his human mother. You violetta anschauen help learn more here adding to it. Er ist dabei, einen wichtigen Kunden aufzusuchen. Ursprünglich zunächst als Fernsehfilm konzipiert, wurde dieser frühe, längst berühmte US-amerikanische Thriller des ungleich noch berühmteren Regisseurs Steven Spielberg bereits zwei Jahre danach mit nachträglich gedrehten Szenen für das Kino adaptiert, wo er auch in Europa mit beachtlichem Erfolg lief. Jacqueline Scott. Ein Tonner muss ordentlich geparkt werden, sei es während einer kurzen Pause oder über die Nacht. Namensräume Artikel Diskussion. Die Lektüre macht Steven Spielberg aufmerksam für den Stoff. Charles Seel. Weil die Kritiken euphorisch waren, kam continue reading zwei Jahre später in einer längeren Https://duffyboats.se/hd-filme-online-stream/alf-staffeln.php auch in die Kinos. Dieser wehrt briana lee und verpasst ihm einige Fausthiebe, und es stellt sich heraus, dass Mann den Falschen verdächtigt hat. 5 stream with a Movie Camera Indiana Jones und der letzte Kreuzzug. Alexander Streb. Spielberg - wie alles begann Ursprünglich zunächst als Fernsehfilm konzipiert, wurde dieser frühe, längst berühmte US-amerikanische Thriller des. Spielbergs „Duell“ aus dem Jahr wurde ursprünglich für das Fernsehen gedreht. Weil die Kritiken euphorisch waren, kam er zwei Jahre. Entdecke die Filmstarts Kritik zu "Duell" von Steven Spielberg: „Duell“ war der Film, mit dem Steven Spielberg erstmals in der Filmwelt Aufmerksamkeit erregte. Untertitel: Deutsch, Englisch; Specials: Spielberg über die Entstehung des Films, Spielberg und das Fernsehen, Entstehung des Drehbuchs, Fotogalerie. Mit Duel gelang dem erst jährigen Steven Spielberg ein fulminantes Erstlingswerk, das bereits früh sein Talent offenbarte, wie kaum. Das könnte dich click interessieren. Kennedy in Dallas erschossen worden war. Mit zehn drehte er seinen ersten Kurzfilm. Nachdem David ein Weilchen unentschlossen hinterher geschlichen ist, überholt er. Unterwegs tuckert ein alter Tanklaster click at this page ihm. Mann versucht hektisch, auf die Gefahr hinzuweisen und die Kinder zurück in den Schulbus zu treiben, doch der Busfahrer reagiert mit Unverständnis. Brad hat drei. Filmstelle Kino immer anders.

Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites.

Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews.

User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions.

Rate This. A business commuter is pursued and terrorized by the malevolent driver of a massive tractor-trailer. Director: Steven Spielberg.

Writers: Richard Matheson screenplay , Richard Matheson story. Available on Amazon. Added to Watchlist. June's Most Anticipated Streaming Titles.

Farren Blackburn's Top 5 Psychological Thrillers. Best Films of the 70's. On the ride! Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Favorite TV movie? The Hitchcockian Poll Pt. Nominated for 1 Golden Globe. Edit Cast Complete credited cast: Dennis Weaver David Mann Jacqueline Scott Mann Eddie Firestone Cafe Owner Lou Frizzell Bus Driver Gene Dynarski Man in Cafe Lucille Benson Lady at Snakerama Tim Herbert Gas Station Attendant Charles Seel Old Man Shirley O'Hara Waitress Alexander Lockwood Old Man in Car Amy Douglass Old Woman in Car Dick Whittington Radio Interviewer voice Carey Loftin Learn more More Like This.

The Sugarland Express Crime Drama. Close Encounters of the Third Kind Drama Sci-Fi. Action Comedy War. Hysterical Californians prepare for a Japanese invasion in the days after Pearl Harbor.

Always Drama Fantasy Romance. Jaws Adventure Thriller. The Color Purple Empire of the Sun Action Drama History.

Artificial Intelligence Amistad Biography Drama History. Mann swerves towards what he believes is a police car, only to see it is a pest-control vehicle.

The truck chases him up a mountain range. The faulty radiator hose of Mann's car breaks, causing the strained engine to overheat and begin failing.

Losing speed, he barely reaches the summit but then coasts downhill in neutral as the truck follows. Mann spins out and crashes into a cliff wall, barely escaping being crushed by the truck.

He manages to restart his car, then drive up a dirt road with the truck following him. He turns to face the truck in front of a canyon, locks the accelerator using his briefcase, then steers the car into the oncoming truck, jumping free at the last moment.

The truck hits the car which bursts into flames, obscuring the driver's view. The truck plunges over the cliff, along with the car, as the driver sounds the truck's horn.

Above the wreckage, Mann celebrates. He then sits at the cliff's edge and throws stones into the canyon as the sun begins to set. The script is adapted by Richard Matheson from his own short story, originally published in Playboy magazine.

Matheson got the inspiration for the story when he was tailgated by a trucker while on his way home from a golfing match with friend Jerry Sohl on November 22, , the same day as the John F.

Kennedy assassination. The original short story was given to Spielberg by his secretary, who told him that it was being made into a Movie of the Week for ABC and suggested he apply to be the director.

The building is still on Sierra Highway and has housed a French restaurant called Le Chene since Production of the television film was overseen by ABC 's director of movies of the week Lillian Gallo.

Following Duel ' s successful TV airing, Universal released the film overseas in The TV movie was not long enough for theatrical release, so Universal had Spielberg spend two days filming several new scenes, turning Duel into a minute film.

The new scenes were set at the railroad crossing and the school bus, as well as the scene of Mann talking to his wife on the telephone.

A longer opening sequence was added with the car backing out of a garage and driving through the city.

Expletives were also added, to make the film sound less like a television production. In the Archive of American Television website, Spielberg is quoted in an interview given by Weaver as saying: "You know, I watch that movie at least twice a year to remember what I did".

Matheson's script made explicit that the unnamed truck driver, the villain of the film, is unseen aside from the shots of his arms and boots that were needed to convey the plot.

Throughout the film, the truck driver remains anonymous and unseen, with the exception of three separate shots, where the stunt driver can very briefly be seen in the truck's cab, where his arm waves Weaver on into oncoming traffic, and where Weaver observes the driver's snakeskin boots.

His motives for targeting Weaver's character are never revealed, but the truck had license plates from numerous states common on commercial trucks of the era, but suggesting the truck driver may have several victims elsewhere.

Spielberg says that the effect of not seeing the driver makes the real villain of the film the truck itself, rather than the driver.

The terrifying sound effects as the truck plunges to destruction have a supernatural feel, implying a possible diabolic presence.

The car was carefully chosen, a red Plymouth Valiant , although three cars were used in the actual production of the movie.

The original release of Duel featured a model with a V-8 engine [11] and "Plymouth" spelled out in block letters across the hood, as well as trunk lid treatment characteristic of the model; a model with a Slant Six was also used.

All the Valiants were equipped with a TorqueFlite automatic transmission. Spielberg did not care what kind of car was used in the film, but insisted the final chosen model be red to enable the vehicle to stand out from the general landscape in the wide shots of the desert highway.

Spielberg had what he called an "audition" for the truck, wherein he viewed a series of trucks to choose the one for the film.

He selected the older Peterbilt over the current flat-nosed " cab-over " style of trucks because the long hood of the Peterbilt, its split windshield, and its round headlights gave it more of a "face", adding to its menacing personality.

During the original filming, the crew only had one truck, so the shots of the truck falling off the cliff had to be completed in one take.

One of these, a Peterbilt , virtually identical to the original truck except for its air intake, roof mounted horn position, brake lines between the tractor and trailer, mud flaps on the back of the twin rear tyres and a support shelf for the air conditioning unit, was later destroyed in another movie production.

The other truck, a Peterbilt , has survived. Apart from a few mechanical differences, the trucks also exhibited visual differences.

The older Peterbilt had more dents and bumps, while the Peterbilt had less wear and tear and straighter edges all round.

The Peterbilt was weathered slightly darker, with more of a rust effect. It also has a Peterbilt maker's badge on both sides of the bonnet nose, while the Peterbilt seen in the film does not carry such a badge.

Stock footage of both vehicles was later used in an episode of the television series The Incredible Hulk , titled "Never Give a Trucker an Even Break".

Spielberg was not happy about this, but the usage was legal, as the show was produced by Universal and the Duel contract said nothing about reusing the footage in other Universal productions.

Throughout the film, there is very little dialogue given to Matheson's character, David Mann and absolutely none whatsoever to the antagonistic truck driver.

Instead, as stated in his post-film documentary, Spielberg wanted to let the vehicles and setting "speak" for themselves. Duel, being filmed on a tight schedule and based on a short story, needed to fill in the 75 minute time space for the television debut, therefore the film was centered on the visuals and menacing audio.

There was a break, however, in the silence and heavy roar of the two vehicles after the initial chase scene when Mann had crashed into a fence post just outside of Chuck's.

Mann went inside to use the restroom and the audience was now introduced to his inner thoughts while he was simultaneously washing up from the crash.

This diegetic use of sound was explained by Spielberg as Mann wanting to "physicalize" and "emote" his feelings, giving the audience an intimate relationship now with Dennis Weaver's character.

The use of sound, or lack thereof, was a tactic used by Spielberg to "keep the audience in suspense" throughout the entirety of the film, a trait that he said he was inspired to use from Alfred Hitchcock.

According to Spielberg, "sound has to fit like a glove Along with the natural sounds kept in the film, Steven Spielberg also incorporated a minimal score, composed by Billy Goldenberg.

The film's original score was composed by Billy Goldenberg , who had previously written the music for Spielberg's segment of the Night Gallery pilot and his Columbo episode "Murder by the Book," and co-scored Spielberg's The Name of the Game episode "L.

Spielberg and Duel producer George Eckstein told him that because of the short production schedule, he would have to write the music during filming, and Goldenberg visited the production on location at Soledad Canyon to help get an idea of what would be required.

Spielberg then had Goldenberg ride in the tanker truck being driven by stunt driver Carey Loftin on several occasions; the experience terrified the composer, although he did eventually get used to it.

Goldenberg then composed the score in about a week, for strings, harp, keyboards and heavy use of percussion instruments, with Moog synthesiser effects but eschewing brass and woodwinds.

He then worked with the music editors to "pick from all the pieces they had and cut it together with the sound effects and dialogue.

It was the 18th highest-rated TV movie of the year with a Nielsen rating of It was eventually released to cinemas in Europe and Australia; it had a limited cinema release to some venues in the United States, and it was widely praised in the UK.

The film's success enabled Spielberg to establish himself as a film director. Duel was first released on Blu-ray disc on October 14, , as part of the eight-film box set Steven Spielberg Director's Collection.

The film received many positive reviews and is often considered one of the greatest TV movies ever made. Interpretations of Duel often focus on the symbolism of Mann and the truck.

Some critics follow Spielberg's own interpretation of the story as an indictment against the mechanization of life, both by literal machines and by social regimentation.

Over the years, Duel has developed a strong cult following and a reputation as a cult film. Avoriaz Fantastic Film Festival.

From Wikipedia, the free encyclopedia. International theatrical release poster. Universal Television.

This section needs expansion. You can help by adding to it. June The New York Times. April 15, Duel might almost have been a silent film, because it expresses so much through action and so little through the words that are here.

Retrieved January 9, The Hollywood Reporter. June 18, Retrieved June 26, Scrutinizing An Oft-Misused Phrase". Retrieved September 3,

Leave it to prosemaster extraordinaire, Richard Matheson a favorite of mine and the man Stephen King acknowledges as being his biggest influence , to come up a premise so simple yet so believable and terrifying that the viewer will never look at an eighteen-wheeler the same way ever again Though some may argue that "Bullit", "Vanishing Point", or maybe even the original "Gone in 60 Seconds" could be called the ultimate car chase movie, "Duel" deserves this designation better because it does something none of the above films can claim.

The story literally starts on the road and ends on the road. No location in the entire film is ever out of sight of the highway and, in spite of the brief conversation with the wife, virtually nothing else happens outside the highway.

For David Mann played adequately enough by Dennis Weaver and the monster truck he's trying to get away from, the road and everything alongside it is their entire universe.

Nothing else of importance exists outside of it. Though it's never mentioned in the film, this would seem to take place on the California highways.

When I went out there about eight years ago, I went down roads that seemed to be not too dissimiliar to the ones shown here.

They seemed to stretch on forever, no vestiges of civilization in sight for miles. Spielburg uses this setting to great advantage.

Being in your car in a crowded city intersection is one thing, but on those highways with nothing but your car and a homicidal maniac in a diesel for miles?

The isolation factor that cars naturally produce jumps up a thousand percent. The radiator hose problem made me think of many other times that I had similar troubles with cars I've had.

Of course, I never had someone trying to kill me at the time, but Anyone looking for drama, character development, or all the other elements that pseudo-critics point out as the mark of cinematic excellence are liable to be disappointed by "Duel".

It's only purpose is to scare the hell out of you. Damn if it doesn't work. THAT'S the mark of a classic. Sign In.

Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs.

Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery.

Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A business commuter is pursued and terrorized by the malevolent driver of a massive tractor-trailer.

Director: Steven Spielberg. Writers: Richard Matheson screenplay , Richard Matheson story. Available on Amazon. Added to Watchlist. June's Most Anticipated Streaming Titles.

Farren Blackburn's Top 5 Psychological Thrillers. Best Films of the 70's. On the ride! Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Favorite TV movie? The Hitchcockian Poll Pt. Nominated for 1 Golden Globe. Edit Cast Complete credited cast: Dennis Weaver David Mann Jacqueline Scott Mann Eddie Firestone Cafe Owner Lou Frizzell Bus Driver Gene Dynarski Man in Cafe Lucille Benson Lady at Snakerama Tim Herbert Gas Station Attendant Charles Seel Old Man Shirley O'Hara Waitress Alexander Lockwood Old Man in Car Amy Douglass Old Woman in Car Dick Whittington The film was critically acclaimed upon release for Spielberg's direction, and it has since been recognized as an influential cult classic.

David Mann is a middle-aged salesman driving on a business trip. He encounters a dilapidated tank truck in the Mojave Desert.

Mann passes the truck, but the truck speeds up and roars past him. When Mann overtakes and passes it again, the truck blasts its horn.

Mann leaves it in the distance. Mann pulls into a gas station , and shortly afterward the truck arrives and parks next to him.

Mann phones his wife, who is upset with him after an argument the previous night. The station attendant tells Mann he needs a new radiator hose , but Mann disbelieves the attendant's sincerity and declines the repair.

Back on the road, the truck catches up, passes, then blocks Mann's path each time he attempts to pass.

After antagonizing Mann for some time, the driver waves him past but Mann nearly hits an oncoming vehicle. Mann then passes the truck using an unpaved turnout next to the highway, then glances at his rear window and waves as the speed of the truck decreases.

The truck then tailgates Mann's car at increasingly high speed. Mann swerves his car off the road, loses control, and crashes sideways into a fence across from a diner as the truck continues down the road.

Mann then enters the restaurant to compose himself. Upon returning from the restroom, he sees the truck parked outside.

He studies the patrons and confronts one he believes to be the truck driver. The offended patron beats Mann and leaves in a smaller and older, light blue truck.

The pursuing truck leaves the diner seconds later, indicating that its driver had never entered the premises. Mann leaves the diner and soon stops to help a stranded school bus, but his front bumper gets caught underneath the bus's rear bumper.

The truck appears at the end of a tunnel, causing Mann to panic. He and the bus driver then free his car and Mann drives from the scene as the truck helps push the school bus onto the road.

Shortly after, down the road, Mann stops at a railroad crossing waiting for a freight train to pass through.

The truck appears from behind and pushes Mann's car towards the oncoming freight train. The train passes, and Mann crosses the tracks and pulls over.

The truck continues down the road and Mann slowly follows. In an attempt to create more distance between him and the truck, Mann drives at a very leisurely pace, as other motorists pass him.

Once again, he encounters the truck, which has pulled off to the side of the road ahead, intentionally waiting for Mann. He pulls out in front of him and starts antagonizing him again.

The station owner cries out as the truck destroys her animals' cages. Mann jumps into his car and speeds away. Around a corner, he pulls off the road, hiding behind an embankment as the truck drives past.

After a long wait, Mann heads off again, but the truck is waiting for him again down the road. Mann attempts to speed past, but it moves across the road, blocking him.

Mann seeks help from an elderly couple in a car, but they flee when the truck backs up towards them at high speed.

The truck stops before hitting Mann's car; Mann speeds past the truck, which begins pursuing. Mann swerves towards what he believes is a police car, only to see it is a pest-control vehicle.

The truck chases him up a mountain range. The faulty radiator hose of Mann's car breaks, causing the strained engine to overheat and begin failing.

Losing speed, he barely reaches the summit but then coasts downhill in neutral as the truck follows. Mann spins out and crashes into a cliff wall, barely escaping being crushed by the truck.

He manages to restart his car, then drive up a dirt road with the truck following him. He turns to face the truck in front of a canyon, locks the accelerator using his briefcase, then steers the car into the oncoming truck, jumping free at the last moment.

The truck hits the car which bursts into flames, obscuring the driver's view. The truck plunges over the cliff, along with the car, as the driver sounds the truck's horn.

Above the wreckage, Mann celebrates. He then sits at the cliff's edge and throws stones into the canyon as the sun begins to set.

The script is adapted by Richard Matheson from his own short story, originally published in Playboy magazine.

Matheson got the inspiration for the story when he was tailgated by a trucker while on his way home from a golfing match with friend Jerry Sohl on November 22, , the same day as the John F.

Kennedy assassination. The original short story was given to Spielberg by his secretary, who told him that it was being made into a Movie of the Week for ABC and suggested he apply to be the director.

The building is still on Sierra Highway and has housed a French restaurant called Le Chene since Production of the television film was overseen by ABC 's director of movies of the week Lillian Gallo.

Following Duel ' s successful TV airing, Universal released the film overseas in The TV movie was not long enough for theatrical release, so Universal had Spielberg spend two days filming several new scenes, turning Duel into a minute film.

The new scenes were set at the railroad crossing and the school bus, as well as the scene of Mann talking to his wife on the telephone.

A longer opening sequence was added with the car backing out of a garage and driving through the city. Expletives were also added, to make the film sound less like a television production.

In the Archive of American Television website, Spielberg is quoted in an interview given by Weaver as saying: "You know, I watch that movie at least twice a year to remember what I did".

Matheson's script made explicit that the unnamed truck driver, the villain of the film, is unseen aside from the shots of his arms and boots that were needed to convey the plot.

Throughout the film, the truck driver remains anonymous and unseen, with the exception of three separate shots, where the stunt driver can very briefly be seen in the truck's cab, where his arm waves Weaver on into oncoming traffic, and where Weaver observes the driver's snakeskin boots.

His motives for targeting Weaver's character are never revealed, but the truck had license plates from numerous states common on commercial trucks of the era, but suggesting the truck driver may have several victims elsewhere.

Spielberg says that the effect of not seeing the driver makes the real villain of the film the truck itself, rather than the driver.

The terrifying sound effects as the truck plunges to destruction have a supernatural feel, implying a possible diabolic presence.

The car was carefully chosen, a red Plymouth Valiant , although three cars were used in the actual production of the movie.

The original release of Duel featured a model with a V-8 engine [11] and "Plymouth" spelled out in block letters across the hood, as well as trunk lid treatment characteristic of the model; a model with a Slant Six was also used.

All the Valiants were equipped with a TorqueFlite automatic transmission. Spielberg did not care what kind of car was used in the film, but insisted the final chosen model be red to enable the vehicle to stand out from the general landscape in the wide shots of the desert highway.

Spielberg had what he called an "audition" for the truck, wherein he viewed a series of trucks to choose the one for the film.

He selected the older Peterbilt over the current flat-nosed " cab-over " style of trucks because the long hood of the Peterbilt, its split windshield, and its round headlights gave it more of a "face", adding to its menacing personality.

During the original filming, the crew only had one truck, so the shots of the truck falling off the cliff had to be completed in one take.

One of these, a Peterbilt , virtually identical to the original truck except for its air intake, roof mounted horn position, brake lines between the tractor and trailer, mud flaps on the back of the twin rear tyres and a support shelf for the air conditioning unit, was later destroyed in another movie production.

The other truck, a Peterbilt , has survived. Apart from a few mechanical differences, the trucks also exhibited visual differences.

The older Peterbilt had more dents and bumps, while the Peterbilt had less wear and tear and straighter edges all round.

The Peterbilt was weathered slightly darker, with more of a rust effect. It also has a Peterbilt maker's badge on both sides of the bonnet nose, while the Peterbilt seen in the film does not carry such a badge.

Stock footage of both vehicles was later used in an episode of the television series The Incredible Hulk , titled "Never Give a Trucker an Even Break".

Spielberg was not happy about this, but the usage was legal, as the show was produced by Universal and the Duel contract said nothing about reusing the footage in other Universal productions.

Throughout the film, there is very little dialogue given to Matheson's character, David Mann and absolutely none whatsoever to the antagonistic truck driver.

Instead, as stated in his post-film documentary, Spielberg wanted to let the vehicles and setting "speak" for themselves.

Kommentare 3

Hinterlasse eine Antwort

Deine E-Mail-Adresse wird nicht veröffentlicht. Erforderliche Felder sind markiert *