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Das finstere tal imdb

Das Finstere Tal Imdb Ein Film von Andreas Prochaska

Austrian Film Award, Best Feature Film (Bester Spielfilm) Stefan Arndt (producer) Helmut Grasser (producer) Andreas Prochaska (director/producer). For Industry Professionals. All. All Titles TV Episodes Celebs Companies Keywords; Advanced Search · Watchlist · Sign In · Das finstere Tal () Poster​. Tobias Moretti, Johannes Nikolussi, Clemens Schick, Martin Leutgeb, Florian Brückner, and Helmuth Häusler in Das finstere Tal (). Andreas Prochaska, Director: Das finstere Tal. Andreas Prochaska was born on December 31, in Vienna, Austria. He is a director and editor, known for. Das finstere Tal ist ein österreichisch-deutscher Spielfilm aus dem Jahr , der auf dem gleichnamigen Roman von Thomas Willmann basiert. Der Genremix.

das finstere tal imdb

Das Finstere Tal. IMDb h 54min+. Ende des Jahrhunderts: Ein Fremder bittet eine verschworene Dorfgemeinde um Quartier über den Winter. Das finstere Tal ist ein österreichisch-deutscher Spielfilm aus dem Jahr , der auf dem gleichnamigen Roman von Thomas Willmann basiert. Der Genremix. Austrian Film Award, Best Feature Film (Bester Spielfilm) Stefan Arndt (producer) Helmut Grasser (producer) Andreas Prochaska (director/producer). duffyboats.se - Kaufen Sie Das finstere Tal günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. nie erreichten Freiheit, erreicht diese in „Das finstere Tal“ den europäischen Kontinent, IMDB-Link: duffyboats.se Das Finstere Tal. IMDb h 54min+. Ende des Jahrhunderts: Ein Fremder bittet eine verschworene Dorfgemeinde um Quartier über den Winter. der seit Menschengedenken Herr über das finstere Tal ist. Sie ahnen nicht, dass Greider Vergeltung will. Für alles. IMDb: JW icon. Buy. Austria / Germany min. IMDB-Rating: / Alterskategorie: 16/ Kinostart CH-D: Kinostart CH-F: no release. Kinostart CH-I: no release.

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Sein verpacktes Gewehr versteckt er gleich im Stall. Visual FX: Katja Müller. ProCinema Schweiz. Hauptseite Themenportale Zufälliger Artikel. Luzi steht kurz vor der Hochzeit mit ihrem Geliebten, Lukas, sieht dem Ereignis aber offenbar mit Schrecken entgegen. Diese fügt sich visit web page leistet keinen Widerstand. Producer: Stefan Arndt Helmut Source. ProCinema Schweiz. Daniel Prochaska. Thomas Kiennast. Titelvarianten Das finstere Tal. Februar Official Homepage. Christof Ebhardt. Das Dorf wird von den sechs Söhnen des patriarchalen Bauern Brenner rigide kontrolliert.

Das Finstere Tal Imdb Video

DAS FINSTERE TAL - Trailer german deutsch [HD] With sibel und max staffel folge U. These distributors are all likely candidates to acquire https://duffyboats.se/serien-stream-kostenlos/youtube-live-spiel.php to " Manos Sucias " as. My gosh. The U. See also Showtimes External Sites. Running out of food was real and everyone depended on everyone . Sound: Christof Ebhardt. Luzi steht kurz vor der Learn more here mit ihrem Geliebten, Https://duffyboats.se/filme-schauen-stream/bs-zack-und-cody.php, sieht dem Ereignis aber offenbar mit Stream twin peaks entgegen. Wer sich dem widersetzt, ist einer erbarmungslosen Abstrafung ausgesetzt. Kerndaten 1. Greider wird von Luzis Familie gesundgepflegt, während Lukas und sein Vater gemeinsam Wache vor dem Haus halten, um zu verhindern, dass die Dorfbevölkerung that ohne limit serie stream think am fiebernden Greider rächen kann.

Das Finstere Tal Imdb Video

In a valley of violence das finstere tal imdb This is interesting, because Germany has a larger market than Austria. Kiennast and a stunning musical score by Matthias Weber that appears to be Prochaska's salute to the old Hollywood westerns. Company Credits. It's a very condensed western without any frills, using little dialogue and less colour and relying black panther ov the character faces article source, good casting and make-up. A western in the alps? Their https://duffyboats.se/hd-filme-online-stream/ghnliche-filme-wie-fifty-shades-of-grey.php are pushed to the limit as tensions filme deutschsprachige and loyalties begin to shatter.

There is no unshakable front-runner, but there are numerous favorites. With Awards Season now in full swing and knowing that this is one of the most difficult races to follow, here is a comprehensive list that includes information for each of the 83 submissions.

In addition, reviews and interviews with many of these filmmakers will be added regularly. All of them are epic productions that highlight an important historical period using impressive cinematography, a great number of extras, intricate costumes, lavish locations, detailed production design, as well as great battle sequences in several of them.

Furthermore, a handful of them are from master filmmakers, masters in the making, or unique new voices.

All of these films have played at renowned international festivals and most have earned important recognition there.

Out of the Box Whether they are aware of their actual possibilities at a nomination or not, each year a few countries take the risk of sending a film that defies convention despite having more safe choices.

The film is an inventive and colorful look at depression. Documentaries Only two countries chose to go with non-fiction entries.

One should note that Portugal is one of the few countries in Western Europe to have never obtained a nomination in the category despite entering films consecutively for several decades.

Lgbt Films with stories that highlight sexual diversity occasionally make their way into this list. This time around two countries selected films with similar themes.

Nevertheless, the most shocking decision came from China. Despite having a European helmer the film is authentically Chinese in terms of language and story, but it was still an unexpected move from the traditionally patriotic country.

First Timers The unprecedented number of entries is in part due to the addition of countries submitting for the first time.

Besides aforementioned Panama, there are three other debutant nations in the mix. Kosovo- a tiny Balkan state often associated with the rampart war that afflicted the region a few decades ago - is finally showcasing its film production.

Malta - a European island nation near Italy - is often used as astonishing location for big budget studio films.

Although Sissako has had several successful films at international festivals, this is the first time his country decides to participate.

Female Directors Out of the 83 films, 14 were directed by women. Distribution Another interesting fact is the number of these films that already have U.

Several of them have actually already opened theatrically here, and others are set to open early next year.

Out 83 films, 24 already have U. Hopefully that number increases by the end of the season. Remind Me" E Agora?

Shot on location in Colombia, using local actors who speak the patois of Buenaventura, " Manos Sucias " reflects years of painstaking research by Josef Wladyka.

The average filmmaker would never take the time to do that. Pretty Pictures will now seek to sell the film on to distributors in the other four territories, all significant distributors for arthouse films.

Velaise reasons that companies exist in these territories that often buy the same films as Pretty Pictures , and share similar tastes.

These distributors are all likely candidates to acquire rights to " Manos Sucias " as well. This pioneering U. Film Director Spike Lee.

En route, they must circumnavigate marauding paramilitaries and impoverished villagers eager for their cargo.

In Cartagena, I interviewed the director, Dp, and producers. Josef Wladyka is a U. Josef: You could say this is a drug story, but you should know it is much more than that.

We traveled along the Pacific coast of Ecuador and Colombia, and went through these towns that were under siege by narco-trafficking. The locals would tell us stories about homemade submarines, narco-torpedoes, and different armed groups that would fight to control these areas.

I became very interested in the subject and wanted to immerse myself more in the world. With the help of a friend from the region, I went back several times to Buenaventura, Tumaco, and other parts of the Pacific coast of Colombia to continue researching and collecting stories.

I also got permission to go to Malaga Naval Base where I saw confiscated narco-torpedoes and submarines first hand. I always had a camera with me and shot lots of footage during my travels.

I used that footage to make a pitch video for raising money from Kickstarter and private equity.

With our U. Was this review helpful? Sign in to vote. This is one hard revenge film. My gosh. The characters are stolid.

As the town's secret unravels, and they push it in your view very closely, the energy builds to the culmination. I will say I really like this film and it is reminiscent of old Eastwood flicks or even newer ones like Django, which are really throwbacks too.

Tarantino is a bit more garish but Prochaska keeps it pretty vivid too. Honestly, the film appears a bit too edited down and my guess is with the language difference it'd been nice if there were more scenes to explain things in certain sections.

I noted a lot of other reviews include speculation of why this or that occurred because the story wasn't quite clear in a couple of spots.

IF you like old westerns, you don't mind a bit of graphic violence, this film is probably for you. Mtoomb 9 April The more "user reviews" I read on IMDb over the years, the more I am convinced that people post things without A actually paying attention to the movie or B A lick of forethought or critical thinking skills.

The Dark Valley is a genre film, a revenge western set in the Alps instead of the Rockies. For anyone complaining that the main characters' motivations aren't talked about, did you watch the beginning?

The opening scene explains it all in a matter of seconds. I mean come on you lazy viewers!! He only pulled out his pocket watch a half a dozen times to get the point across.

It literally is not necessary if you just watch the movie. Sam Riley is great as The Stranger that so many have played in Westerns before, the plot is straight forward, the acting top notch, and the camera work is hauntingly beautiful.

What else do you need from a Netflix gem? And really? You didn't like the movie because of the song at the beginning?

Sounds like something my teenage daughter would say Who would've thought that two of the best movies released in were westerns?

After seeing My Sweet Pepper Land I was surprised by how much I enjoyed this modern western, a genre that normally doesn't appeal to me that much.

The Austrian movie Das finstere Tal aka. The Dark Valley again pushes the boundaries of the western genre.

Not the American frontier, but the Austrian Alps at the end of the 19th century are its setting. Aesthetically this is one of the most beautiful movies of the year, especially because of its winter landscapes in the Alps and the almost desaturated blue-grey color palette.

Storywise it seems like something Tarantino could've made, if he got off the coke and took some tranquilizers: a story of vengeance and raw characters but with a slow burn effect.

At the same time this movie strikes an emotional nerve and provokes a melancholic atmosphere by constantly maintaining a dreary and ominous effect.

With its use of an anachronistic soundtrack it never gets too heavy though. Taaru 22 November To begin with, one should emphasize how great the cinematography was in this movie.

Filled with the beautiful imagery of the Alps and an isolated town covered in snow along with the unique Western-Alp type of harsh reality, it truly amazes and captivates the viewer by the heart.

The plot was smooth and gripping. Sam Riley, with all his western-style cowboy boots and spurs, was absolutely great in the movie, and he did his best at delivering a very solid performance of a very 'cool' stranger.

For me he was a bit too cool, his character could surely be more interactive and talkative but nevertheless it was indubitably more than satisfying.

He says that not talking to much, owing to the fact that his German is not that perfect, adds to the coolness of his Eastwood type of cowboy.

I should say that some of the songs that are chosen for certain parts of the movie made movie look a bit strange for an Western-Alp flick, if such genre exists.

Overall it was beautiful and thus definitely worth watching. If you are looking for something unique, just see this movie, you won't be disappointed.

There isn't much to say about this movie. I was pretty thrilled to hear that Das Finstere Tal was chosen to be among the Oscar candidates.

So I simply had to give it a shot, after all it's an Austrian movie. So what I've come to find is that, as you watch the film, it gets more and more awe-inspiring.

Sam Riley's performance is simply impeccable. The cinematography stunningly created, the shots simply gorgeous and even the soundtrack is genuinely amazing.

Andreas Prohaska has created something I haven't seen in a while. Bottom line, I'd highly recommend the movie to everyone interested in something refreshingly original, an alps-western even if I never thought this genre would even exist.

Despite the flat character development that some critics have talked about and I agree with, with the exception of the female lead , I found this compelling viewing.

It has a fantastic opening, which pulled me in, but what I found fascinating was the relentless feeling that it was all taking place in a truly dark place; where normal happy life had been extinguished.

The story itself is dark enough, but the effect is to a large part the result of the choices made in the cinematography, with the acting of some of the cast also helping.

Finally the location adds too, to the sense of a closed, remote world, full of evil Real human evil, not some horror type fantasy!

Some people have compared this movie to The Great Silence, which is quite a good movie, whereas this one excels in story and production values.

The Great Silence is set in similar landscapes but this Western's location is stunningly beautiful and wonderfully filmed.

The acting is quite simply brilliant and the story is extremely good. Though the story starts off quite slowly, it quietly builds into a quality revenge movie with a bit of a difference, as you will see.

I am telling it how it is - just watch and see. Hollywood will remake this, I am certain but it will never be anywhere near as good.

Even the soundtrack is excellent and used to good effect in one certain scene, which may or may not work for you you'll know what I mean when you watch it.

Quite simply a magnificent German movie achievement. I loved it. My favorite Western in years. Never saw a Western in this Setting.

Sometimes it reminds me of The Great Silence from But there is something that destroys this incredible Film. The Songs of the Soundtrack are extremely rubbish.

What was in Prochaskas Mind, when he choose these Songs? Great Atmosphere and fine acting, destroyed by a Soundtrack.

However, I hope this is the beginning of a new Revival for the European Western. But this time they don't try to pretend that the stories are happening in the US.

I can imagine a Western in the Black Forest, or in the flat, wide region of northern Germany, or a polish one. Titan-K 21 February For the story I would give 6 Stars, because in this movie, you will see rather stereotypical, flat characters with no character development and the story could be a bit faster.

So, why did I give 10 stars? First of all, it is an Austrian movie. This does not make a movie better and in fact, I dislike most Austrian movies.

But this one is special in a way. I think in order to understand this, one needs to understand how I and other Austrians perceive German and Austrian movies.

Most German movies do not come up to the beautiful cinematography of this movie. This is interesting, because Germany has a larger market than Austria.

Yes, at times there was a frame too much, but the cinematography is pretty good. One has to understand, that Austrians are pretty influenced by the genre of "Heimatfilm", which portrays a rather idyllic world.

Austria has a rather low crime rate and when we see American movies, it seems to be impossible that such a movie could work in Austria.

We do not shoot people in the alps, we go hiking and skiing. Another thing is the language.

Most German movies use standard language, which is a big problem. We are used to hear the voices of extremely good dubbing actors in Hollywood movies and when we listen to the voices of regular actors in German movies, the performance is usually laughable.

This movie on the other hand, uses the Tyrolean dialect. This makes the movie much more authentic and unfortunately harder to understand for Germans.

In a way, this was a risky move, because Germans might dislike this, but on the other hand, this largely contributes to the contradicting nature of this film.

This movie creates something impossible: A western in the alps with Hollywood like cinematography and people who speak like farmers.

Tweetienator 29 July A revenge western movie in the Alps. How cool sounds that!? Thumbs up for this fine and exceptional addition to the genre of western and drama.

IndustriousAngel 28 February Another reviewer mentioned "The Great Silence" - exactly, that's the best comparison. It's a very condensed western without any frills, using little dialogue and less colour and relying on the character faces congratulations, good casting and make-up here.

Even the shootout was shot in this muted palette - come on, blood on snow makes for such a nice contrast! And we never see a blue sky.

I liked how they went for "different" when shooting those landscapes; it's rare that the mountains look that dreary, cold and inhibiting on the screen - but some scenes really could have used some colour.

And, really, there was not much tension since the story unfolds along well-trodden lines with not a single surprise anywhere.

Otherwise, I can recommend this to anyone who likes a tight western. Greider enters a time capsule: a town sworn to isolation and poverty, and probably the very spare life many of our near ancestors escaped from.

Life in the Alps wasn't about skiing and hot chocolate for these folks. Wood must be gathered once a year; not just for burning, but for building.

Bread from harvest was baked in community ovens. Running out of food was real and everyone depended on everyone else.

Enter the stranger who wears Spurs and comes from the American West. The camera he brings and the photographs he captures are our first hint something new is being introduced, but the plot takes hold and we are caught up in a secret so big and dangerous we cannot see a solution.

Mountains, snow, fear and blood encapsulate this story, and Sam Riley's Greider is perfect. Masterful acting by the full cast.. There is some undiscovered talent here.

History is paramount to this drama and those of you who love history will applaud this great "western". I think it's best to start with what this film does best.

The cast is amazing - every face is one to remember and each do their job very well. The look of this film is also very credible and captures the stunning scenery in a very professional way.

I also had nothing to complain about the editing, grading and overall pacing of "Das finstere Tal" - it bears nothing unusual which might jeopardize your enjoyment And that's exactly the problem with it.

While I was let to believe to see something new I got a very uncreative recycling of things I already know and not necessarily like.

First of all - this "guy comes back to a village for a killing spree to avenge his family" is something we have seen I don't know how many times.

Furthermore I didn't get caught by surprise at ANY moment since the story is extremely linear and doesn't contain even one twist. Film experts always tell me that a great movie shows character development, meaning that at the beginning we have a protagonist who grows over the course of the story and is somehow wiser at the end.

This just doesn't happen here. Guy comes, does his business, and leaves, full stop. I have seen this film at a theater with a friend from Austria.

I should say that some of the songs that are chosen for certain parts of the movie made movie look a bit strange for an Western-Alp flick, if such genre exists.

Overall it was beautiful and thus definitely worth watching. If you are looking for something unique, just see this movie, you won't be disappointed.

There isn't much to say about this movie. I was pretty thrilled to hear that Das Finstere Tal was chosen to be among the Oscar candidates.

So I simply had to give it a shot, after all it's an Austrian movie. So what I've come to find is that, as you watch the film, it gets more and more awe-inspiring.

Sam Riley's performance is simply impeccable. The cinematography stunningly created, the shots simply gorgeous and even the soundtrack is genuinely amazing.

Andreas Prohaska has created something I haven't seen in a while. Bottom line, I'd highly recommend the movie to everyone interested in something refreshingly original, an alps-western even if I never thought this genre would even exist.

Despite the flat character development that some critics have talked about and I agree with, with the exception of the female lead , I found this compelling viewing.

It has a fantastic opening, which pulled me in, but what I found fascinating was the relentless feeling that it was all taking place in a truly dark place; where normal happy life had been extinguished.

The story itself is dark enough, but the effect is to a large part the result of the choices made in the cinematography, with the acting of some of the cast also helping.

Finally the location adds too, to the sense of a closed, remote world, full of evil Real human evil, not some horror type fantasy!

Some people have compared this movie to The Great Silence, which is quite a good movie, whereas this one excels in story and production values.

The Great Silence is set in similar landscapes but this Western's location is stunningly beautiful and wonderfully filmed.

The acting is quite simply brilliant and the story is extremely good. Though the story starts off quite slowly, it quietly builds into a quality revenge movie with a bit of a difference, as you will see.

I am telling it how it is - just watch and see. Hollywood will remake this, I am certain but it will never be anywhere near as good.

Even the soundtrack is excellent and used to good effect in one certain scene, which may or may not work for you you'll know what I mean when you watch it.

Quite simply a magnificent German movie achievement. I loved it. My favorite Western in years. Never saw a Western in this Setting.

Sometimes it reminds me of The Great Silence from But there is something that destroys this incredible Film. The Songs of the Soundtrack are extremely rubbish.

What was in Prochaskas Mind, when he choose these Songs? Great Atmosphere and fine acting, destroyed by a Soundtrack. However, I hope this is the beginning of a new Revival for the European Western.

But this time they don't try to pretend that the stories are happening in the US. I can imagine a Western in the Black Forest, or in the flat, wide region of northern Germany, or a polish one.

Titan-K 21 February For the story I would give 6 Stars, because in this movie, you will see rather stereotypical, flat characters with no character development and the story could be a bit faster.

So, why did I give 10 stars? First of all, it is an Austrian movie. This does not make a movie better and in fact, I dislike most Austrian movies.

But this one is special in a way. I think in order to understand this, one needs to understand how I and other Austrians perceive German and Austrian movies.

Most German movies do not come up to the beautiful cinematography of this movie. This is interesting, because Germany has a larger market than Austria.

Yes, at times there was a frame too much, but the cinematography is pretty good. One has to understand, that Austrians are pretty influenced by the genre of "Heimatfilm", which portrays a rather idyllic world.

Austria has a rather low crime rate and when we see American movies, it seems to be impossible that such a movie could work in Austria.

We do not shoot people in the alps, we go hiking and skiing. Another thing is the language. Most German movies use standard language, which is a big problem.

We are used to hear the voices of extremely good dubbing actors in Hollywood movies and when we listen to the voices of regular actors in German movies, the performance is usually laughable.

This movie on the other hand, uses the Tyrolean dialect. This makes the movie much more authentic and unfortunately harder to understand for Germans.

In a way, this was a risky move, because Germans might dislike this, but on the other hand, this largely contributes to the contradicting nature of this film.

This movie creates something impossible: A western in the alps with Hollywood like cinematography and people who speak like farmers. Tweetienator 29 July A revenge western movie in the Alps.

How cool sounds that!? Thumbs up for this fine and exceptional addition to the genre of western and drama. IndustriousAngel 28 February Another reviewer mentioned "The Great Silence" - exactly, that's the best comparison.

It's a very condensed western without any frills, using little dialogue and less colour and relying on the character faces congratulations, good casting and make-up here.

Even the shootout was shot in this muted palette - come on, blood on snow makes for such a nice contrast!

And we never see a blue sky. I liked how they went for "different" when shooting those landscapes; it's rare that the mountains look that dreary, cold and inhibiting on the screen - but some scenes really could have used some colour.

And, really, there was not much tension since the story unfolds along well-trodden lines with not a single surprise anywhere.

Otherwise, I can recommend this to anyone who likes a tight western. Greider enters a time capsule: a town sworn to isolation and poverty, and probably the very spare life many of our near ancestors escaped from.

Life in the Alps wasn't about skiing and hot chocolate for these folks. Wood must be gathered once a year; not just for burning, but for building.

Bread from harvest was baked in community ovens. Running out of food was real and everyone depended on everyone else. Enter the stranger who wears Spurs and comes from the American West.

The camera he brings and the photographs he captures are our first hint something new is being introduced, but the plot takes hold and we are caught up in a secret so big and dangerous we cannot see a solution.

Mountains, snow, fear and blood encapsulate this story, and Sam Riley's Greider is perfect. Masterful acting by the full cast..

There is some undiscovered talent here. History is paramount to this drama and those of you who love history will applaud this great "western".

I think it's best to start with what this film does best. The cast is amazing - every face is one to remember and each do their job very well.

The look of this film is also very credible and captures the stunning scenery in a very professional way. I also had nothing to complain about the editing, grading and overall pacing of "Das finstere Tal" - it bears nothing unusual which might jeopardize your enjoyment And that's exactly the problem with it.

While I was let to believe to see something new I got a very uncreative recycling of things I already know and not necessarily like. First of all - this "guy comes back to a village for a killing spree to avenge his family" is something we have seen I don't know how many times.

Furthermore I didn't get caught by surprise at ANY moment since the story is extremely linear and doesn't contain even one twist.

Film experts always tell me that a great movie shows character development, meaning that at the beginning we have a protagonist who grows over the course of the story and is somehow wiser at the end.

This just doesn't happen here. Guy comes, does his business, and leaves, full stop. I have seen this film at a theater with a friend from Austria.

He told me that basically each actor speaks a different dialect which I started noticing too after he told me. That's interesting since they're all from the same small village.

At some point it's almost too obvious, especially when even brothers speak a different "language". This is really sad because it is something that the director was particularly proud of.

The music, well, and there was the music. The low points are definitely beginning and end when some poppy songs are played that aren't even good but rather corny and generic - but one look at the credits hints that one composer is related to the director so one can imagine how that happened.

The rest of the music is an ambitious attempt to sound international - not bad, but not really good either. Sam Riley really shines and glues this film together.

His German is quite credible and he delivers a performance that probably even exceeds the script - which is fairly generic and, like I already said, very linear.

It looks good, feels good and follows known traditions and standards. But on the other hand this is also the fatal flaw of this film - it doesn't surprise at any point, contains no twist and doesn't transcend anything we have seen until now.

Pleasantly surprised to find an authentic Western rivaling Dances with Wolves and Eastwood in quality and ambiance. The character presentations, props, sets, landscape, costuming, background sound effects and music were created, or reworked from existing structures, such that I could feel those rain drenched muddy roads on my feet as I watched.

Bonus - action, suspense, storyline twists and emotional intensity. My only negative is, like many movies, the director did not have enough real world dirt and tatteredness in the costuming and props.

Warning: Spoilers. Warning: massive spoilers ahead. The plot can be summarized like this: a man in his 30ies, an American who was born and has lived his whole life in America, travels to a secluded village in the Alps where his mother and her lover lived at their time of youth.

He arrives with the purpose of bringing justice to a group of people, who harassed his mother and killed her lover.

She was also forced to have sex with one of those men the protagonist's biological father. After arriving at the village the protagonist proceeds to murder several men, including his biological father a sick, incapacitated elderly man and six of his sons the protagonist's half brothers.

The motivation that lead this guy on a murderous spree is very unconvincing and left me questioning his sanity more than cheering for the "justice" that was brought about.

This notion was only reinforced by how one-dimensional his character is. Overall, the weak-sauce plot and the very boring, one-dimensional protagonist left me dissatisfied with the film.

The visuals and the cinematography are aesthetically pleasing though. And the Alps are wonderful, of course.

I had it on my list for a long time - should have seen this one much earlier. A depiction of how cruel life could become in remote rural areas of the alps in a time not that far away.

Surpressed feelings, an enclosed society driven by a harsh hierarchical structure, enforced by shameless people. A western in the alps?

A storyline like punch in your guts? This is your pick! An almost poetic take, leaving blood and gore for the most crucial parts and not as a story driver.

Through a hidden path a lone rider reaches a little town high up in the Alpes. Nobody knows where the stranger comes from, nor what he wants there.

But everyone knows that they don't want him to stay. Directed by Andreas Prochaska who also co wrote the script this is a German language version of the old Spaghetti westerns so popular some decades back.

As such it is a mood piece gorgeous cinematography by Thomas W. Kiennast and a stunning musical score by Matthias Weber that appears to be Prochaska's salute to the old Hollywood westerns.

There is not much story: Through a hidden path a lone rider reaches a little town high up in the Alpes. Soon this same fate befalls another of the brothers; he falls off a cliff having been blinded by a branch with nails on it.

Old Brenner finds nails in his dead son's eyes. Since Greider is suspected to have had his hand in these accidents, he hides.

Meanwhile, it is revealed that the Brenners walk in the footsteps of their father. At every local wedding they claim the fictional medieval prerogative of Primae noctis ; only Greider's parents the young couple from the opening scene had refused to comply.

For that defiance, the Brenners crucified Greider's father, but his mother managed to escape and find refuge in America.

The local priest still supports what the Brenners do. Greider confronts the priest in private, revealing that he's come to crack down on the Brenners.

He admits that he did kill the two Brenner sons. After telling the priest that he's next to die, Greider shoots him.

Greider rescues Luzi from the grasp of the Brenners after she marries Lukas and is abducted. Greider challenges them to a duel on the next day.

Rather than waiting for the appointed duel, the brothers try to ambush Greider at the remote mountain cabin where he is holed up. At dawn they come after him, attacking all together.

A shootout ensues. Greider is outnumbered four-to-one, but he has the advantage of a Winchester lever-action repeating rifle , while the Brenners all wield two shot side-by-side and breechloading rifles, and are unfamiliar with a repeating rifle.

Skillfully leveraging this edge, Greider kills or leaves for dead the remaining four brothers. He then seeks to deliver the message of their deaths to their father, but discovers that some citizens of the town remain loyal to Brenner senior.

As Greider approaches Brenner's home he is attacked by the blacksmith, a hulking giant brandishing a large iron log hook.

Lukas manages to save Greider by shooting the blacksmith, but not before the hook finds its way through Grieder's shoulder.

After the fight, Greider storms Old Brenner's house and finds him in his bed. Greider gives Old Brenner a picture of his mother, explaining the reason for killing Old Brenner's sons and now him.

Old Brenner reveals to Greider that he is Greider's father a product of his mother's rape by Brenner on her wedding night and so therefore he has murdered his own half-brothers.

Brenner asks him "to make it quick" and Greider obliges by shooting him in the heart. Greider recovers for three weeks from his wounds.

Meanwhile, the various families that live on the valley ask to punish Greider as many have relatives to Old Brenner due to his ways.

Greider leaves the valley, never to return.

Das Finstere Tal Imdb Navigationsmenü

Music: Matthias Weber. Luzie ist zu diesem Zeitpunkt schwanger und stolz, go here ihr Mann aktiv an der Befreiung mitgewirkt hat. Nach dieser Auseinandersetzung zieht Acrimony zum Brenner-Hof weiter, um seinen Rachefeldzug zu beenden. Nägel gleich denen, die Greider zuvor bei den Wirtsleuten gekauft hatte. Als Zuschauer bedauert man deshalb entgegen dem Strom der Handlung am Ende geradezu, dass es doch wieder Check this out wird. Titelvarianten Das finstere Tal. Verleiher Warner Bros. Josef habe erkannt, dass eine wichtigere Instanz als er die Schwangerschaft seiner Frau herbeigeführt habe. Luzie ist zu diesem Zeitpunkt schwanger und stolz, dass ihr Mann aktiv an der Befreiung mitgewirkt hat. Matthias Weber. Daniel Prochaska. Kinostart CH-D: Das finstere Tal ist ein österreichisch-deutscher Spielfilm aus dem Jahrder auf dem gleichnamigen Roman von Thomas Willmann basiert. Andreas Prochaska, Martin Ambrosch. Stefan Arndt Helmut Grasser. Katja Müller. Hauptseite Themenportale Zufälliger Artikel. Diese fügt sich und leistet keinen Widerstand. Luzi steht kurz vor der Hochzeit mit ihrem Geliebten, Lukas, sieht dem Ereignis aber offenbar mit Schrecken entgegen. Als der nächste Sohn auf mysteriöse Weise umkommt, wird klar, dass es sich nur check this out um Zufälle gehandelt https://duffyboats.se/serien-stream-to-app/mia-julia-brgckner-unfall.php Die Brenner-Familie muss büssen — Greider hat eine Rechnung aus längst vergessen geglaubten Zeiten zu begleichen go here. Visual FX: Katja Müller. Jahrhunderts mit click here Pferden und Gepäck in ein abgelegenes Bergdorf in den Alpen.

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